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[ Home: Animal & Wildlife Art: Creating wildlife art with impact! ]
"Creating wildlife art with impact!"
Page 3 of 4

Author: Leigh_Rust, Contributing Editor

GETTING STARTED ON THE FINISHED WORK

In order to portray an animal convincingly you need to make sure that you have a grasp on it's anatomy. For this reason I recommend that you do an accurate layout before getting to work. This will keep you in line with what you want to achieve.

For me the finished work takes 5 stages: Layout, Block in, Background, Animal and Refinement
For the layout stage I concentrate on the anatomy of the animal, it's placement in the scene and key features in the background. I do this using two pastel pencils, one light and one dark to map out the the shadows and highlights. I keep this tight and accurate as the success of my finished work depends on it.
The block in is done lightly using my pastel sticks to cover all areas of the paper. I use hatching at this point to begin the process of describing fur textures or skin. I should mention that paper choice is very important to making your life easier when using pastels. Choose a paper colour that can be used in the image either as a compliment or an undertone.

When doing the block in I will usually start with the background to set the scene for my star. I then start working on the animal, ignoring any markings such as spots or stripes as they can distract you at this early stage.
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