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[ Home: Plein Air: Basement Plein Aire Training ]
"Basement Plein Aire Training"
Page 8 of 13

Author: Scott_Burkett, Contributing Editor

Here, you can see the background hills were easily removed with a corner of a paper towel and some thinner.
I then go back to my palette and work through this again.

This looks much better!
Ok, much better (even though the photo here doesn't really do it justice). It wasn’t "brown" this time, more of a greyish-magenta.
I then take some of my Cadmium Red, darkened with a bit of the Cobalt Blue, and muted with a touch of the dark green tree mixture.

I take my large flat and scrub this color in where I see it.

This is a great time to point out how difficult this subject really is. Painting those little flowers is not something I was looking forward to. I simply don't have the patience for it! I'll leave that to the realists out there. At this point, I was thankful that I was working on a small 8x10 canvas, and was going to use a knife – that way, I could blame it on my materials! Lol.
I thinned out a bit of the raw umber and darkened my tree mixture with it – using the corner of my large flat, I tapped in some indications of the background trees in front of the background hill.
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